In 2012 I attended the 3rd Annual TCM Classic Film Festival (and my 1st). In 2010 I was unable to attend because I had a bun in the oven and in 2011 the little bun was too young for me to leave. It was hard for me to stay here, watching the commercials, seeing the live blogs and tweets, and of course the footage from the Festival itself. I honestly didn’t think it would ever be a possibility for me to go. When the opportunity arose for me to attend in 2012, everything fell into place. All of the things I worried about were non-issues and all of the things I didn’t think would be issues? Well…
Happy Holidays from The Fence!
It’s never been a better time to be a classic film fan. With numerous theatre screenings across the country, the TCM Film Festival, never before released and remastered films on DVD/Blu-ray– there’s an abundance of goodies for every fan. With only two weeks until Christmas, I have put together a gift guide for the classic film fans on your list. Already done with your shopping or don’t celebrate Christmas? Then pick something out for yourself! Make sure to scroll through the entire post for some fantastic deals and enter the giveaway.
I love reviewing books here at The Fence. It’s been a while since I’ve posted a review, but I’ve been keeping an eye on new releases. There are a few must-haves for classic film fans:
Harlow in Hollywood: The Blonde Bombshell in the Glamour Capitol, 1928-1937
by Darrell Rooney and Mark A. Viera
Angel City Press
Released in March 2011, Harlow in Hollywood is quite possibly the best classic film related book in my collection. With a well-researched biography and stunning photos of Harlow all throughout her career, this is an absolute must for Jean Harlow fans. You can find my detailed review of the book here.
Silhouettes From Popular Culture
by Olly Moss
Titan Books has released a collection of Olly Moss silhouettes from the hugely popular Paper Cuts exhibition. This is a fun book for not just film fans, but pop culture buffs too! Look for a review coming soon.
You can order Silhouettes From Popular Culture from Amazon.
Marilyn in Fashion
by Christopher Nickens and George Zeno
There are countless books on Marilyn Monroe. Let’s face it: most of them are complete garbage. There are gems scattered throughout the trash, and Marilyn in Fashion is one of those beautiful gems. The photos alone are worth the price, but the book is so much more. With anecdotes of Monroe’s working relationship with designers and her fashion transformation throughout her career, Marilyn in Fashion is a lovely book to add to your collection. Order on Amazon.com
Mary Pickford: Queen of the Movies
by Christel Schmidt
University Press of Kentucky
I can’t begin to tell you how excited I am about this book. I just won a copy from TCM’s monthly Book Corner giveaway. I haven’t had a chance to sit down and read it yet, but have thumbed through it a bit. It is absolutely stunning.
Here is a collection of some of my favorite DVD/Blu-ray releases along with some can’t miss deals:
Terry Gilliam’s Brazil (1985) on DVD and Blu-ray
Charlie Chaplin’s Modern Times (1936) on DVD/Blu
Ernst Lubitsch’s Design for Living (1933) on DVD/Blu
* All of these Criterion titles and others are on sale at Amazon.com.
The Ultimate Buster Keaton Collection on Blu-ray
W.S. Van Dyke’s Rage in Heaven (1941)
Jean Harlow Collection
Forbidden Hollywood Collection, Volume 4
Forbidden Hollywood Collection, Volume 5
Fox Home Entertainment
Bond 50: The Complete 22 Film Collection DVD/Blu-ray
Princess Bride: 25th Anniversary Edition DVD/Blu-ray
Can’t miss bargains
The Complete Thin Man Collection
This retails for $60.00. Right now on Amazon it is only $17.99! If you don’t have this set, it’s a must!
Myrna Loy and William Powell Collection
Another great deal for Powell/Loy fans (and really, who isn’t a fan of theirs?) at only $18.49. This is a great set. My personal favorites are Manhattan Melodrama and I Love You Again.
Tracy & Hepburn: The Definitive Collection
This set includes every single film Spencer Tracy and Katharine Hepburn made together. It’s under $25.00. Need I say more?
Christmas in Connecticut
One of the greatest Christmas films ever is only $4.00! You can find it at Amazon and at your local Target.
For those of you with a Costco membership, you might want to take a trip to check out their movie section. Recent finds include The Joan Crawford Collection, Warner Gangsters Collections, The Premiere Frank Capra Collection, Busby Berkeley, The Marx Bros Collection– all for under $15.00. Also in stores are numerous “Signature Collection” sets including: Bogie/Bacall, Tracy/Hepburn, James Stewart, Frank Sinatra, Cary Grant, Errol Flynn, Humphrey Bogart, and Clark Gable. Of course there are no guarantees on what is in stock, but I always find lots of goodies! I’m still kicking myself for passing on the Preston Sturges set…
Other classic film goodies
- Love Charlie Chaplin? Then you definitely need to check out this lovely canvas print of The Little Tramp over at Ikea. There’s an Audrey Hepburn version, too.
- Fans of TCM are all too familiar with Robert Osborne’s signature TCM bistro mug. I own two and drink my coffee out of them every single day. A must have!
- If you’re a big spender, you can always go for a pass to the TCM Classic Film Festival. I can guarantee you will not be disappointed. Money well spent!
Last, but certainly not least…
- My pal Cliff over at Immortal Ephemera has an amazing deal right now: Free shipping on all orders over $25.00 with additional discounts depending on your total. Cliff sells classic film related photos, postcards, tobacco cards, and other ephemera. Great selection and fantastic customer service.
It’s giveaway time!
The lovely folks over at Fox Home Entertainment are providing a copy of Patton (1970) on Blu-ray.
To enter the giveaway there are two requirements:
1) In an effort to curb spam entries, I’m requiring all entrants to subscribe to this website via email. You can do so at the very bottom of the page. Don’t worry– your email will remain private.
2) You must send an email to Contests (at) sittinonabackyardfence (dot) com. Please include “PATTON GIVEAWAY” in the subject line.
You have until Monday, December 17th at Midnight EST to enter. The winner will be chosen via random drawing and contacted during the day on the 18th.
This contest is only available to U.S. residents.
Full disclosure: Some of the links to Amazon are linked to this site’s affiliates page.
William Powell is one of the most lovable, charming actors from the Golden Age of Hollywood. His dry wit, distinct voice, and gentlemanly disposition truly make him one of a kind. Like most of the stars of the Studio Era, Powell had to deal with his share of recycled scrips and grueling production schedules. Sometimes the result was a rough-hewn gem. Other times it was an easily forgotten misuse of an incredible talent. But when it comes to Bill Powell, just give me what you’ve got. I’ll take it all.
One year after delivering what would become an iconic performance in W.S. Van Dyke’s hugely popular The Thin Man (1934), Powell appeared in the WWI drama Rendezvous (1935), alongside Rosalind Russell and Binnie Barnes. I generally dislike typecasting, but I do prefer Powell in light comedies and sleuthing roles like Philo Vance and Nick Charles. Powell in a WWI Army officer’s uniform threw me for a bit of a loop, especially since he is most often seen sporting a tuxedo with martini(s) in hand(s).
Powell is Bill Gordon, lieutenant in the United States Army. He is days away from a deployment to the front lines overseas, which is something he is more than happy to participate in. At a dinner party before his departure, he becomes acquainted with Joel Carter, a young and spunky woman played by Rosalind Russell. Joel pretends to be annoyed by Bill’s teasing and flattery, but it’s apparent she’s smitten. The pair are virtually inseparable, and in an intimate moment on the eve of his deployment, Bill confides that he is an expert in cryptography. Unbeknownst to Bill, Joel’s uncle is a top official in the War Department. As he is about to board his train at the station, Bill receives orders to report for desk duty. Before long, Bill discovers that Joel had a hand in his change of orders.
Frustrated that he can’t join the fight, Bill soon realizes his experience in cracking code is desperately needed to insure the safety of his fellow servicemen. While working alongside Maj. William Brennan (Lionel Atwill) and relying on the lab research of Professor Martin (Charley Grapewin), Bill uncovers an elaborate plan by the Germans to intercept American military communications. Unaware of the location of the espionage ring or the identity of the mole, Powell fights the clock to prevent the destruction of American Naval vessels.
I wanted to like Rendezvous more than I did. Unfortunately, the film presents a confusing mix of comedy and suspense, but does neither particularly well. Russell is oddly miscast as the aggressive, flighty love interest – meddling to protect Bill, but doing more harm than good. Russell’s character is slightly reminiscent of Katharine Hepburn’s Susan Vance in Howard Hawks‘ Bringing Up Baby (1937). However, Hepburn’s Susan is adorable and her meddling only affects David (Cary Grant), never putting him in harm’s way. Joel’s interference is destructive and places him, and others, in grave danger. Russell’s character aside, I really enjoyed the spy yarn plot-line, which had some surprisingly dark moments. William Powell is quite convincing as a military code expert, despite the boozy baggage he brings to any characterization.
Rendezvous is a manufacture on demand (MOD) DVD from Warner Archive. This edition does not have any special features and is struck from the best available source material. The transfer is decent, with an equally good audio track.
If you’re a William Powell completist, Rendezvous is a must. If not, take a furlough and pop in your Thin Man DVDs.
Disclaimer: Sittin’ on a Backyard Fence received a review copy of Redezvous directly from Warner Archive.
I have never heard anyone speak harshly of Myrna Loy. In fact, just the mere mention of her name elicits such a positive response it is hard not to crack a smile. My first encounter with Myrna’s films was her work with Cary Grant in The Bachelor and the Bobby-Soxer and Mr. Blandings Builds His Dreamhouse.
She is brilliant in both roles and is one of Grant’s greatest co-stars. When I eventually discovered her films from the 1930s, I finally understood why she is so highly regarded among classic film fans. Soon I began scrounging for every Loy performance I could find, including all the films she made with the charming William Powell, with whom she co-starred 14 times.
In the late eighties, Myrna Loy worked extensively and exclusively with James Kotsilibas-Davis to pen her autobiography Being and Becoming. This personal account has been the only significant information regarding Loy’s private life and career until now. Emily W. Leider, author of Myrna Loy: The Only Good Girl in Hollywood, utilizes Loy’s recollections from Being and Becoming, along with newly obtained material, in an attempt to piece together more of Loy’s life story.
Leider begins with a detailed account of Myrna Loy’s childhood leading up to being discovered in Hollywood. In her hometown of Helena, Montana, a young Loy took an interest in performing arts–especially dance. After the death of her father, Myrna, her mother, and other relatives moved to Southern California. She continued taking dance lessons and eventually sought work to provide for her family. More importantly, Myrna desperately wanted independence. In 1923 she was hired as a prologue dancer at Grauman’s Egyptian Theatre. For frame of reference, these elaborate stage productions (which provided in-house entertainment for moviegoers), were akin to the prologues featured in Busby Berkeley’s Footlight Parade. Before long, Loy’s beauty and talent were noticed by Rudolph Valentino and his wife Natacha Rambova. Myrna quickly acquired her first uncredited role in the 1925 film What Price Beauty?
After several of these smaller roles, Loy was offered parts as exotics, often playing a temptress and homewrecker. She would be typecast in this kind of role until around 1934 when she gave breakout performances in Manhattan Melodrama and The Thin Man. Although she had shed one typecast, she gained another in being labeled “the perfect wife.”
Leider writes of Loy’s early years in Hollywood, including when she fell in love with a married man, producer Arthur Hornblow. Eventually they married, but Arthur’s infidelities and lack of commitment led to their divorce. Myrna had four husbands in all, yet never found the reciprocal love she so desperately sought. Since she could not find complete happiness in her romantic life, Myrna looked for other ways to gain fulfillment. She was a dedicated volunteer during WWII and raised millions of dollars in war bonds for the cause. She was also quite active in liberal politics and outspoken against the House Un-American Activities Committee. A staunch supporter of President Roosevelt, Loy soon became friends with First Lady Eleanor Roosevelt, and the two worked closely on social and political causes. Myrna was also an unabashed supporter of the Civil Rights Movement, which was not a popular stance at the time. Later in her career and life, Loy retreated from Hollywood to New York where she remained until her death in 1993. In the final years of her life she was finally recognized by The Academy of Motion Pictures and Sciences with a Lifetime Achievement Academy Award. Up to that moment, Loy had never even been nominated for an Oscar.
I have long awaited a biography on Myrna Loy. Her autobiography Being and Becoming is out of print, so finding an affordable copy has proven to be difficult. When I first heard of Emily W. Leider’s book, I was ecstatic. Unfortunately, I have to admit that I am slightly disappointed. Leider’s account of Myrna Loy’s early life is well written. I appreciate her attention to detail in retelling Loy’s story from a different perspective than what has already been written. What I noticed is Leider references Loy’s book numerous times (almost to the point of distraction), and it quickly becomes apparent that perhaps there really isn’t much information about Loy’s life outside of what has already been written. In other words, Loy wrote what she thought we should know about her and therefore disclosed a filtered, if incomplete version, which is fair. That said, there are a few new bits of information in The Only Good Girl in Hollywood, that according to Leider, Loy either briefly mentions in passing or ignores completely in her autobiography. For example, Leider discusses the reason behind Loy’s inability to bear children, something that Loy never divulged.
One of the trappings of the star biography is an author’s tendency to give synopses of movies in an actor’s filmography. In telling the story of Loy’s early fledgling career and rise to prominence in Hollywood, Leider often falls into the pattern of film synopsis and review. I understand that anecdotes from the filming of Loy’s movies is important to paint a complete picture of the surrounding events in her life. However, when plotlines are detailed from start to finish accompanied by critique and opinion (either Leider’s or that of a film critic), it is too much.
Overall, I have mixed feelings on Myrna Loy: The Only Good Girl in Hollywood. I would like to revisit this book after reading Being and Becoming. Perhaps Leider’s book will be a nice companion piece to Loy’s, but in all honesty I was looking for something more.
Myrna Loy: The Only Good Girl in Hollywood
University of California Press
Full Disclosure: I received a copy of Myrna Loy: The Only Good Girl in Hollywood directly from the publisher, University of California Press. I would like to thank the publisher for the opportunity to review this book.
Note: You will NOT see the word “Bromance” mentioned in this post. I find it to be the most ridiculous term ever. I will also go on record to say that I strongly dislike “Chick-flick”, “Bromcom”, “Romcom”. You will see the words “man”, “manly” and “dude” maybe even “dudely.”
Ah, the buddy flick. Two guys (sometimes more) out to take on the world. It doesn’t matter when, where, and how their journey takes place, it’s about their friendship and how they deal with adversity and triumph. Women may come and go, and there may even be a fight between them over the same woman. Yet almost always, the friendship will prevail–even in death. Using the mechanism of the buddy film, Hollywood is able to appeal to men’s emotional side. In classic film, a vast majority of the buddy films appear to be dramas. In the gangster genre I immediately think of James Cagney and Pat O’Brien. These two were close friends in real life, and although they made all kinds of films (and frequently collaborated Frank McHugh, another close pal), I always think of their roles in Angels with Dirty Faces. Another pairing is that of William Powell and Clark Gable. Theirs was in Manhattan Melodrama, one of my favorites, and a similar story line to that of Angels with Dirty Faces: two young friends grow up together on the wrong side of the tracks. One makes it to the right side and lives an honorable and decent life, while the other continues in a life of crime. Despite their differences, they remain friends and can always pick up where they left off.
In the action/adventure genre there is only one teaming that comes to mind: Errol Flynn and Alan Hale. Although Hale was very much a supporting character to Flynn’s leading roles, it’s hard to think of one without the other. Flynn is charming and handsome, and Hale is the sidekick with all the funny quips. They get along so well because there is no competition over women. They each know their place and are friends until the very end. There are some classic comedies with best pals. First are the Road pictures starring Bob Hope and Bing Crosby. In the silent era, Buster Keaton and Roscoe “Fatty” Arbuckle made quite the team. Laurel and Hardy, Abbott and Costello, The Marx Brothers are all perfect examples. There are even buddies in musicals, with Gene Kelly and Frank Sinatra starring in three films (Anchors Aweigh, On the Town, and Take Me Out to the Ballgame) immediately coming to mind.
Of all the genres, the two that are the fullest of testosterone and strong male friendships, are war stories and westerns. From Battleground to Ride the High Country, these films always feature two friends dealing with the toughest of circumstances.
In the 1980′s and early 1990′s, theaters were inundated with action-packed, testosterone-fueled BFF adventures: 48 Hours, Beverly Hills Cop, Lethal Weapon, and their respective sequels (and threequels and fourquels). These films definitely appealed to a very male audience, but frequently cast the current luscious beefcake to help draw in the ladies. At the time many of these films were considered edgy. By today’s standards, the “raunchy” language of 1980s Eddie Murphy is a distant memory (after all, he is Donkey, Doctor Dolittle and runs Daddy Day Care…oh and he occasionally gives car rides to needy transvestite hookers). In recent years the buddy flick has become an exposition for the raunchiest language, random and pointless nudity (each film appears to compete for the most hideous nude scene or most graphic discussions about bodily functions), and general caveman-like behavior. Their masculinity is worn not on their sleeve, but on a t-shirt three sizes too small and positioned squarely on their chest. Underneath is a tagline that says “I love boobies and I’m absolutely and positively NOT GAY!.” Some of these newer films are quite funny, despite their overt attempts at pure manly manliness (I give Judd Apatow a lot of credit because his films have heart, sometimes too much. They also appear to be a little insecure about acknowledging love between two friends, re: constant gay jokes).
Going back to classics, I have to admit that I love a lot of the “manly” genres. Some of my favorite films feature two male friends. Sure there might be a love interest, but the friendship is always a main attraction. When thinking about the films for this blogathon, I turned to my husband. The two of us compared our list of quintessential male buddy films and we had a lot of duplicates. However, he had several listed that I did not consider. A few of them are highlighted below.
Cool Hand Luke
My husband is very adamant over Cool Hand Luke being the essential buddy flick. There are no women (unless you consider the big bosomed car wash lady), thus no traditional romance. The “romance” is between the two main characters Luke (Paul Newman) and Dragline (George Kennedy). It is Luke’s strength and determination (and Messiah-like presence) to find a way out that has Dragline and the whole chain gang admiring him. Dragline’s devotion to Luke is so strong and he risks his life just to be around him. Call it hero worship. They are a mismatched duo, but they have each other’s back right to the end. No women, no fortune, no prospects– just brought together by incredibly horrendous circumstances. How does Cool Hand Luke appeal to women? I don’t think I should have to answer that one.
I have to admit that George Stevens’s classic is one of my all time favorites. In my opinion it is one of the greatest action/adventure films ever made. The friendship between Cutter (Cary Grant), MacChesney (Victor McLaglen), and Ballantine (Douglas Fairbanks, Jr.) is unwavering. That’s not to say they do not have their differences. Cutter is a bit of a handful with his pipe dreams about finding hidden treasures and golden palaces, and often agitates his comrades. MacChesney is the highest ranked officer of the trio and tries to maintain straight military protocol. Ballantine struggles over starting his life with the woman he loves, or continuing the adventures with his best friends. In addition to the strong friendship between the three, Cutter forms an unlikely bond with the regiment’s water boy, Gunga Din (Sam Jaffe). The two have a mutual admiration and both set out to find their fortunes. Although there is a female character, Ballantine’s fiancee Emmy (Joan Fontaine), she is negatively portrayed as needy and generally whiny. Not great for female viewers, but it helps reinforce the unbreakable bond between the best friends. Despite this, I still love the story and the main characters. Although it ends on a bittersweet note, Gunga Din is also quite a funny film at times.
I realize that Blazing Saddles does not fall under the traditional “classic film” label because it was made after the 1969 cut-off, but it would be flat out wrong to dismiss it strictly based on when it was made. Mel Brooks is a master and Blazing Saddles is his finest masterpiece. Sure it is off-color at times, but it all comes from a good place. Brooks took the typical western (and the musical) and turned it upside down. The Ballad of Rock Ridge is a parody of the main theme in the film High Noon, Madeline Kahn is in full Marlene Dietrich mode with her stage performances, and the hero is…black. Whoa! A western with a black hero? And his sidekick is white? Obviously this arrangement makes way for a endless amount of jokes, but also serves as a commentary on racism. Sheriff Bart (Cleavon Little) and Jim (Gene Wilder) form a fast friendship. They are both social outcasts– Bart because he is black, and Jim because he’s a drunk, and fallen from his glory days as sharpshooter The Waco Kid. The pair team up to save the town of Rock Ridge against the evil forces of Hedley “That’s Hed-ley” Lamarr (Harvey Korman). Underneath the sometimes gross humor (the farting scene) and colorful language, is a story about two best friends…who ride into the sunset not on their horses, but in a limousine.
Butch Cassidy and the Sundance Kid
For my husband, Cool Hand Luke is the ultimate buddy film. For me, I look no further than Butch Cassidy and the Sundance Kid. From start to tragic finish, it is a beautiful film. Butch (Paul Newman) and Sundance (Robert Redford) rob trains and banks. They are really good at it too. Although criminals, they are loved from the first moment. The two are partners through and through right until the bloody end. Butch and Sundance are truly living an outlaw’s life, but having loads of fun in the process. They are also fortunate enough to keep company with the beautiful Etta Place (Katharine Ross), who loves them both. She teaches them manners and Spanish, and goes along with their schemes for a time. She doesn’t overstay her welcome though. This is one of the few male geared films that has a positive female role.
Only Angels Have Wings
Although heavy on the adventure and romance, Only Angels Have Wings features a strong friendship between two men: Geoff Carter (Cary Grant) and Kid Dabb (Thomas Mitchell) and they absolutely adore one another. Each would walk through fire for the other, and both value honesty, even when the truth hurts. Geoff has his problems with commitment to women, although Bonnie Lee (Jean Arthur) is making quite the impression. When Geoff grounds Kid from flying, the decision is not an easy one. Geoff knows how much it bruises Kid’s ego, but it’s the right decision to keep everyone safe. That is what a true friend does– makes a hard decision to save a life, even if it damages the friendship.
There are several more films that need an honorable mention. The Lord of the Rings trilogy is the ultimate buddy epic. Two best friends, Frodo and Sam literally going to the ends of the earth knowing they may never make it back. Not only do they have each other, but they have the support of many others from their original band of brothers. The Big Lebowski features two friends (three if you count poor Donny) that couldn’t be more different. The Dude (Jeff Bridges) is a burned out hippie who lives for bowling, Creedence, White Russians, and his rug (which really tied the room together). Walter (John Goodman) is a Vietnam vet with major anger issues, who often babysits his ex-wife’s dog (“It’s a f*cking show dog with f*cking papers”). This mismatched duo, with their sad little friend Donny, encounter the most bizarre of situations. Although The Dude is often disgusted with Walter’s behavior, he ultimately enjoys his company.
To close out this entry on a testosterone fueled note, here are BFF’s Roddy Piper and Keith David beating the shit out of each other.
Note: The video features fantastic shit-kickery and some bad language, so don’t watch at work, church, or around the kiddies.
“Either put on these glasses, or start eating that trash can.”
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