Poor Casper. All he wants is to be a normal boy, running and playing with all the other kids, but he can’t because he’s dead. It’s rather morbid, if you stop to think about it. Read more
William Holden was the king of the 1950s. In 1939, he made his debut in Golden Boy alongside his dear friend Barbara Stanwyck. Throughout the 1940s, Holden was absent from Hollywood while he served in WWII. He then made a huge return with Sunset Blvd. (1950), Born Yesterday (1950), and Stalag 17 (1953), for which he won an Academy Award for Best Actor.
Happy Holidays from The Fence!
It’s never been a better time to be a classic film fan. With numerous theatre screenings across the country, the TCM Film Festival, never before released and remastered films on DVD/Blu-ray– there’s an abundance of goodies for every fan. With only two weeks until Christmas, I have put together a gift guide for the classic film fans on your list. Already done with your shopping or don’t celebrate Christmas? Then pick something out for yourself! Make sure to scroll through the entire post for some fantastic deals and enter the giveaway.
I love cartoons. I grew up on animated shorts and feature-length films from Hanna-Barbera, Warner Bros., and MGM. Most were made before 1979, the year I was born. Thanks to re-runs on Saturday mornings, I received an education in mouse chasing from Tom, wisecracking from Bugs Bunny, and mystery solving from Scooby and the Gang. I have fond memories of new prime-time animated specials that you simply couldn’t miss. Remember, this was before VCR’s were affordable and DVR was something right out of The Jetsons. One of my strongest memories was seeing the premiere of the 1987 Rankin and Bass production of Kenneth Grahame’s Wind in the Willows. But for every clear memory there are a hundred fuzzy ones. There are TV shows and movies I have vague recollections of, but can’t remember specific details or when I saw them.
Enter Hanna-Barbera’s Heidi’s Song.
One of the reasons I love classic film is the extensive number of “deep tracks”– those little hidden gems waiting to be discovered and shared. Alright, so maybe not all deep tracks are “gems”, but it’s still loads of fun to discover new-to-me old movies. A few years ago during a Robert Montgomery marathon on TCM, I managed to catch the strange psychological thriller Rage in Heaven. Released by MGM in 1941, and directed by W.S. “One-Take Woody” Van Dyke, Rage in Heaven stars Montgomery, the charming George Sanders, and the young, delightfully fresh-faced Ingrid Bergman. Discovered by David O. Selznick after seeing her performance in the Swedish film Intermezzo (1936), Bergman was immediately signed to a contract. She made her Hollywood debut in 1939 with the remake Intermezzo: A Love Story, with Leslie Howard. Bergman instantly won the affections of American moviegoers. And although her iconic role in the romantic classic Casablanca was three years away, Bergman quickly established herself as a Hollywood mainstay.
William Powell is one of the most lovable, charming actors from the Golden Age of Hollywood. His dry wit, distinct voice, and gentlemanly disposition truly make him one of a kind. Like most of the stars of the Studio Era, Powell had to deal with his share of recycled scrips and grueling production schedules. Sometimes the result was a rough-hewn gem. Other times it was an easily forgotten misuse of an incredible talent. But when it comes to Bill Powell, just give me what you’ve got. I’ll take it all.