Last Sunday I had the pleasure to attend a very special screening of David Lean’s epic masterpiece Lawrence of Arabia (1962) alongside my good pal Brandie from True Classics and my husband Thomas.Brandie has already written about the screening here. Please make sure to head on over and check it out. Here’s a Classic Film Confession for you:
Marion: “You’re not the man I knew ten years ago.”
Indiana: “It’s not the years, honey, it’s the mileage.”
This Friday, January 18, 2013, at Atlanta’s Historic Plaza Theatre, is the world premiere restoration of White Zombie (1932), starring Bela Lugosi. After Lugosi’s successful performance in Tod Browning’s Dracula, brothers Victor and Edward Halperin cast him in the lead role as the evil voodoo master, Murder Legendre. The film was made independently and distributed by United Artists. Large portions of the movie were filmed at Universal Studios. The Halperin brothers borrowed sets from other popular Universal horror films, such as Frankenstein and Dracula.
On Thursday night the TCM Road to Hollywood Tour made a stop in the network’s hometown of Atlanta, GA, with a screening of Stanley Donen’s Seven Brides for Seven Brothers (1954). The event was held in the Rich Theatre at Woodruff Arts Center in Midtown Atlanta. Thanks to TCM I received two VIP tickets which guaranteed me a reserved seat at the free event. My guest for the evening was Tony Dayoub, owner of the film blog Cinema Viewfinder. Confession: neither Tony nor I had seen Seven Brides for Seven Brothers prior to this special event. What a way to see it for the first time!
Thursday, August 25th, I attended a very special screening at Atlanta’s Fox Theatre: 1920′s The Mark of Zorro starring the original King of Hollywood– Douglas Fairbanks. Up until last Thursday I had never seen a Douglas Fairbanks film. Something I’m not proud of for sure. The Fox Theatre is truly a gem. For most of the year the theatre features off-broadway musicals and plays, concerts, and ballet performances. In the summer The Fox holds a movie festival featuring classics and newer films. The architecture and décor enrich the moving-going experience. Often described as Arabic, Moorish, and Egyptian, the design is opulent. The main feature of the theatre is of course the auditorium. The ceiling is painted twilight blue with moving clouds and has lighted crystals that twinkle like emerging stars. Sitting near the stage and looking up, one can almost imagine being in a majestic courtyard in some far away land. The Fox also boasts the second largest theatre organ in the country. The “Mighty Mo” is used for pre-show sing-a-longs and silent film accompaniment. The organ also controls a full size baby grand piano! The screening was hosted by TCM and introduced/emceed by Ben Mankiewicz. In his introduction, Mankiewicz discussed Fairbanks’s influence on the action/adventure genre. In Mankiewicz’s words “Fairbanks was Errol Flynn before Errol Flynn was Errol Flynn.” The accompanist for the evening was renowned theatre organist Clark Wilson. He travels around the country playing his original scores for silent films (more info about Wilson in this article).
Honestly, The Mark of Zorro should be called The Mark of Fairbanksbecause in every scene he leaves his mark as he triumphs over the rest of the cast in commanding fashion. Fairbanks is Don Diego Vega, a wealthy fop who is more interested in performing magic tricks than wooing women. He is socially awkward–hands in his pockets, shuffling around with his head down. Don Diego is the kind of guy who would today live in his parents’ basement. In the opening scene, he is sitting in a bar drinking with a group of rowdy men, including the villain of our story, Sgt. Pedro Gonzales (played by Noah Beery, older brother to Wallace Beery). Led by Gonzales, the men are all discussing the pesky Zorro, champion of the poor and oppressed. Gonzales, right hand man to the governor and his dictatorship, details how he will capture and kill the masked bandit. After an elaborate display by the sergeant, Don Diego stands up and politely makes his exit. In this moment, Sgt. Gonzales has no earthly idea that he will soon receive that famous mark…
Fairbanks’s first entrance as Zorro is one of the greatest in cinema. With smoke and a wicked little smile, the audience knows the bad guys will get what is coming to them…and it is going to be loads of fun.Fairbanks’s Zorro is lean, light, and quick–blink and he’s gone as quickly as he arrived. In between swordplay and ducking flying objects, Zorro easily slinks past his opposition. He lights a cigarette, grabs a drink (he’s thirsty!), and sits back to watch the bad guys fight each other. I imagine Zorro’s motto might be “Fighting evil one prank at a time.” Being a master swordsman, Zorro is also quite the lover. No awkwardness or magic tricks here. Zorro always knows the right things to say or do, especially to the lovely Lolita Pulido (played by Marguerite De La Motte). Currently being “courted” by Don Diego, Pulido is quickly swept off her feet by the dashing and mischievous Zorro. After watching The Mark of Zorro, I now understand the magnificence that is Douglas Fairbanks. His wit, athleticism, and timing is perfect. I thoroughly enjoyed his performance and the film. His athletic style made an impression on many actors and especially on a young Archie Leach. In 1920, Leach was on his way to America to tour with the Pender troupe. During the voyage, he met Fairbanks and new bride Mary Pickford, who were on their way home from a European honeymoon. The newlyweds were nice enough to spend time with Leach, who idolized Fairbanks. The young acrobatic Leach later became Cary Grant. For years, they kept in touch and Grant often cited Fairbanks as being a huge inspiration. Fairbanks’s influence changed the action/adventure genre and many copy cats followed. He is the original Errol Flynn. or Tyrone Power. or Stewart Granger. And in my generation–the original Harrison Ford. Douglas Fairbanks as Han Solo? Hmm…