Growing up, I spent my Saturday mornings in front of the television watching pals Bugs Bunny and the rest of the Looney Tunes crew, Tom and Jerry, Droopy, Huckleberry Hound, The Flintstones, its later spin-off The Pebbles and Bamm-Bamm Show, The Smurfs, The Snorks, Scooby-Doo Where Are You?, and of course Pee-Wee’s Playhouse. Having one morning dedicated to cartoons after a long week of dealing with bullies, and shitty teachers, and pop quizzes, and that kid who always smelled like mustard (ALWAYS), was a welcomed respite. It was like cracking open a cold one after a hard day’s work. But since I was a just mere pup, let’s say it was like dunking a fresh chocolate chip cookie into a glass of cold milk (Ding! Age appropriate!). Then suddenly, cartoons were everywhere. On every channel. At any time. Hell, even a channel devoted to them 24 hours a day. This was fantastic! When Cartoon Network launched I rarely watched anything else (and honestly, other than TCM and the few channels my daughter watches, this is still true today. Read: Uncle Grandpa and Adult Swim). However, with the advent of the never-ending access to cartoons, came a quiet death to beloved Saturday morning cartoons on network television.
The lovely ladies at the classic film blog True Classics have dedicated the month of June to “Movie Memories”. This is their second year hosting the hugely successful event, and I am honored to be asked to participate. Please take the time to read all of the Movie Memories over at True Classics. You will not be disappointed.
So far March-in-March has been a wonderful success! I want to thank all of the contributors featured here on the site. We have a few more coming next week, including a post from yours truly, so stay tuned!
The very first Fredric March performance I saw was actually during the “William Holden phase” of my classic film self-education. The film was the 1954 corporate boardroom drama Executive Suite. March has a supporting role as Loren Shaw, the company’s fiscally conservative Controller. Shaw is difficult, obnoxious, and just downright infuritating. He’s simply unlikable. I hate to admit this, but I have a bad habit of disliking an actor if I hate the character portrayed. After watching Loren Shaw weasel his way to the top of the executive food chain, while attempting to discredit the beloved William Holden, I took it personally. “No one hurts my William Holden and gets away with it”, I thought. I’m ashamed to say it, but at that moment, Fredric March was added to the “I don’t like you” list. In all honesty, it is a testament to his acting prowess.
I think everyone will agree the perfect dog has certain qualities that make him/her Man’s Best Friend: loyalty, strength, good temperament, intelligence, obedience. As a kid, I held Lassie up as the model for the perfect family dog. Trapped in the town’s abandoned coal mine? Never fear! Lassie will not only run for help, she will bring you a fresh set of clothing, a turkey and cheese sandwich on whole wheat, and a glass of milk. Need help with your homework? Lassie won’t eat it! She will solve all those pesky word problems and write an essay on French Imperialism. WOW!
“Mom and Dad, can we pleeeeeeease get a dog?”
That’s right. You ask for Lassie and you end up with Shithead. Sure, he’s cute and scruffy. He even has moments of grand heroism fraught with danger. But most of the time, Shithead does what he wants when he wants. This includes following commands when it is convenient, and still reaping the maximum reward. Shithead is far from perfect, but he’s real. He’s the dog we all know because there’s a little Shithead in all our lives.
On December 3, 1979 the brilliant wordsmith Kittenbiscuits was born. 11 days later, Carl Reiner released his masterpiece The Jerk in honor of the occasion. Starring Steve Martin and Bernadette Peters, and co-written by Martin and Carl Gottlieb, The Jerk tells the story of Navin R. Johnson, son of a poor black sharecropper. Patiently waiting for the day when his skin will change color to match that of his family, Navin finally learns the real truth: he is not their natural born son. Although distraught over this revelation, Navin soon comes to terms with his racial identity. He sets out to find his own way in the world, his “special purpose”, to prove to himself and his family that he is a man.
Soon into his wandering trek, Navin encounters a scruffy mutt barking at his motel room door. Navin must have always wanted a Lassie dog too, because he attempts to translate the dog’s frantic barking. Arriving at the conclusion the motel is on fire, Navin runs out in his skivvies, banging on every single door and yelling. Of course there is no fire. This dog is no Lassie and is certainly no lifesaver. Navin’s dream of owning the perfect dog blinds him from the obvious truth. It takes an outside observer to see the dog for what he really is: a shithead. In that moment, a cultural icon was born.
For the first time, audiences see a realistic portrayal of the All-American pooch. Before The Jerk, dogs in film were represented by Hollywood’s canine elite: Skippy (Asta), Lassie, Rin Tin Tin, Pete the Pup, even Benji. Sadly, Shithead’s bust is not in that Hall of Fame. A travesty. The furry actor who played this character, could have stuck to the heroic canine archetype, yet he knew audiences of the 1970s would respond to a fresh approach. This unnamed dog bravely made the choice to play against type. In my humble opinion, his gamble paid off. One of the things that makes Shithead so special, is that despite lacking the talents of the more famous dogs, he is still more intelligent than Navin.
Shithead is a free-spirit who knows what he wants and is not afraid to get it. You can imagine him saying ” Hey, man! I’m just here to have a good time.” He represents the era in which he lived. On the eve of the 1980s, he’s a dog poised to become a living legend. He defines the free, easy living of the 1970s, yet he is not afraid of embracing the excesses that lie ahead. Shithead is fully aware that nothing lasts forever. His motto is “Carpe Diem; Keep on Truckin’.”
Make no mistake, although he does what he wants, Shithead really tries to do what he thinks is in Navin’s best interest. For example, while he is taking a bubble bath, Navin’s girlfriend Marie decides to walk out, leaving a “Dear John” letter. Without Shithead drawing his attention to it, Navin would not have seen the note. Navin quickly hops out of the tub to chase after Marie, but he has no clothing. Shithead pipes up with a suggestive bark and we hear Navin say “good thinking!” His modesty saved by his faithful dog, Navin runs after the love of his life…but it’s too late.
From rags to riches, and quickly back to rags, Shithead is mostly there for Navin. Isn’t that what all dogs are? Mostly there? They love you as long as you feed them and there’s not something stinky to chew on. When the food is scarce and when you cut yourself shaving and nothing comes out but air, don’t expect them to stick around. If you’re drowning, remember there is always a steak, medium-rare, on higher ground. A real dog, just like Shithead, will be running toward it.
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This is my contribution for the Classic Movie Dogathon hosted by Classic Film and TV Cafe. Thanks to Rick for this wonderful event! Please check out all of the participating blogs. You can find a schedule here with links to all of the contributing sites.
The March-in-March blogathon will include 2 free-for-all days so that everyone can participate! Those days are scheduled for March 24-25th (Saturday and Sunday). On Saturday morning I will publish a post here and add your links as I receive them. All you have to do is give me a link to your article via email (sittinonabackyardfence (at) gmail (dot) com) or leave a comment on that post.
I have a wonderful blog event scheduled for March 15-31st, featuring one of the true greats of the stage and screen: Fredric March. I am fortunate to have an outstanding group of bloggers signed on to contribute:
For the past several months I have been lost without the dapper, distinguished, most knowledgeable Robert Osborne, host of Turner Classic Movies. He is more than just a host– he is a teacher. And in my ongoing education in classic film, Robert Osborne is essential.